by Kitty Kelley
Anna Pasternak boasts a famous name, thanks to her great uncle, Boris Pasternak, who wrote Doctor Zhivago and won the Nobel Prize for Literature in 1958. With such big boots to fill, she sets out, in The Real Wallis Simpson, to redeem the tattered image of the Duchess of Windsor and “to bring [her] favourably back in the eyes of the world.”
In 1994, the author collaborated with Major James Hewitt to write Princess in Love, described by People as his “diss and tell” about his affair with Princess Diana. The magazine described him as “The Lady’s Chatty Lover.”
Pasternak begins this book with an eye-popping dedication: “To Wallis, Her Royal Highness, The Duchess of Windsor.” Back in the day, that dedication would’ve rained down wrath from all the king’s horses and all the king’s men and surely banned the book’s publication in England, while causing palpitations in those who live and die by Debrett’s Peerage.
His/Her Royal Highness, or HRH, the honorific bestowed on royalty or those who marry royalty, was denied Wallis Warfield Spencer Simpson, the twice-divorced American who married King Edward VIII after he abdicated his throne for her, “the woman I love,” in 1936.
He then became the Duke of Windsor and she became the duchess, who, as such, was entitled to the curtsies and courtesies of royalty. But they were never to be hers because the palace, in the person of her in-laws, King George VI and Queen Elizabeth, despised “that woman.”
The knock-down, drag-out over that title was deliciously detailed in 1985 by Michael Thornton’s Royal Feud: The Queen Mother and the Duchess of Windsor. From the moment of the king’s abdication, Wallis Simpson knew that, without the royal protection of “HRH,” she would be tossed in the trash bin of history as the villainess who deprived England and all her dominions of their glittering monarch.
The duke dedicated the rest of his life to trying to obtain the royal title for his wife, to seeing that she would be received by the reigning king and queen, and that the event would be recorded in the Court Circular, the published list of official royal engagements. All to no avail.
It’s important to note that, next to HM (His/Her Majesty), no initials are more sacred to monarchists in their class-bound society than HRH. This was evidenced by the fight Diana, Princess of Wales, waged to keep her royal designation after her divorce from Prince Charles.
As mother of the future king of England, Diana felt she was entitled; the palace and Prince Charles felt otherwise. Losing her royal status reduced her in the eyes of the public and cost her much in terms of respect and protection.
Two decades later, however, royal strictures were relaxed enough that the honorific was bestowed on Meghan Markle, a divorced, biracial woman who identifies as African-American, when she married Diana’s second son, Prince Harry, sixth in line to the throne. So Pasternak’s dedication might be shrugged off now by the palace as nothing more than a cheeky bid for book sales, but it’s part of her impassioned plea for the Duchess of Windsor, who, she contends, is the subject of antipathy to this day.
The story of the most scandalous love affair of the 20th century has been told often in books by and about the Duke and Duchess of Windsor, and most recently in the Netflix series “The Crown.” Readers of The Real Wallis Simpson will find nothing new in this book, no previously unpublished interviews, no revelations from the padlocked Windsor archives.
Pasternak does her best with the public record, and she writes engagingly about the duchess as being “warm” and “witty,” but her earnest effort at restoration is undermined and falters because of her omissions: specifically, the Nazi stain on the Windsor image.
Pasternak makes no mention of the duke and duchess accepting a 12-day paid trip from Adolf Hitler in October 1937 to tour Germany as his personal guests, which some historians suggest might’ve been part of Hitler’s plan to place the duke back on his throne as a puppet king once Germany invaded Britain. The photograph of the Führer wearing a swastika armband and leaning over to kiss the hand of the delighted duchess jolted British subjects, who would soon sacrifice much in the war. The New York Times covered that visit with the headline: “Duke of Windsor Salutes, Cries ‘Heil Hitler.’”
The duke was not alone at that time in supporting appeasement. Joseph P. Kennedy, U.S. ambassador to the Court of St. James, also espoused isolationist views but, once the Nazi jackboot fell on Britain, Kennedy was recalled by President Roosevelt, and Prime Minster Churchill ordered the Windsors to the Bahamas, where they lived luxuriously until the war’s end, while the king and queen stayed in London during the Blitz. Throughout, the duke continued making political comments many found defeatist, even traitorous.
The Windsors remained exiled from England for the rest of their lives and deprived of all royal prerogatives. They lived rent-free in a Paris mansion hosted by the French and reigned indolently over café society as gilded guests of fashionable nightclubs, resorts, and restaurants. The duke spent his days designing jewelry for the duchess, and she spent her nights bedecked in it. Pasternak footnotes that the Sotheby sale of that jewelry, in 1987, broke all records at $50 million.
Only after the duke and duchess died were they finally allowed to permanently return to England, where they now lie side by side in the royal graveyard at Frogmore on the grounds of Windsor Castle.
Crossposted with Washington Independent Review of Books
by Kitty Kelley
The book cover shouts “rollicking, irresistible, un-put-downable.” The blurbs trumpet “original, hilarious, memorable,” even “a level of genius.” Even if all that praise for Ninety-Nine Glimpses of Princess Margaret by Craig Brown comes from his pals in London, including the exalted likes of novelist Julian Barnes — who pronounced the book “roistering” — I could hardly wait to start reading.
Having never heard of the author or the 18 books he’s written, I raced to remedy my ignorance. Apparently, Wikipedia has the same problem, because information is scarce. Brown identifies as “a parodist and a satirist,” and his books appear to be in that genre: The Private Eye Book of Craig Brown Parodies, The Craig Brown Omnibus, This Is Craig Brown, and, of course, Craig Brown’s Greatest Hits.
This man definitely understands the art of branding. The British comedian Stephen Fry claims Brown is “the wittiest writer in Britain today,” and an example of that wit from his 10th tome, The Little Book of Chaos, presents his advice on coping with vexation: “Regain your inner child: Pull a colleague’s hair.”
Not roistering enough for you? Well, never mind. In this somber era of Trump, I long for any amusing escape, and what could be more humorous than reading about our betters across the pond, especially the princess who teased her hair to helium heights, wore platform peep-toes, and wrapped herself in parachute silks?
So, I looked forward to a joy ride with this book, imagining myself breezing along in a sleek, vintage Jaguar XK convertible — top down, laughter rising to the skies.
But midway through, I felt stuck in a dilapidated jalopy, gears jammed with sludge.
My fault, I’m sure, for not finding humor in the grotesquerie of a spoiled brat so blinded by entitlement that she flicks cigarette ashes into a servant’s hand because she can’t find an ashtray; who announces at a dinner party that the host’s food looks like upchuck.
She derides Jews, detests Americans, denounces the Irish as pigs, and despises politicians of all stripes. “I hate them,” she said. “They never listen to anything I say or answer my questions. Even Sir Winston Churchill would just grunt.”
I don’t doubt the accuracy of Brown’s unsparing characterizations of HRH, the Princess Margaret, whom he refers to as “the royal dwarf” and labels: short, fat, rude, blunt, boorish, acid-tongued, boozy, haughty, chain-smoking, and gauche. But “hilarious” and “rollicking”?
Brown gives many glimpses into the supposed amours of Queen Elizabeth’s errant sister, including an affair with Pablo Picasso, when he was 85 and she was 26. Brown also writes that “Ma’am, Darling” — as his book is titled in England, a cheeky reference to “ma’am,” the day-to-day form of spoken address used with an adult female royal — did not sexually limit herself to men:
“After [the] death [of singer Dusty Springfield] rumors circulated that she and Princess Margaret had once been an item. This seems improbable, but then again improbability is no barrier to gossip.”
Continuing, he provides a list of “those with whom Princess Margaret was…rumored to have had sexual relationships.” In alphabetical order, he names two women and 21 men, including Warren Beatty, Mick Jagger, David Niven, Peter O’Toole, Prince Philip (the queen’s husband), Peter Sellers, and a former prime minister of Canada.
For me, this book becomes a glimpse too far when Brown makes forays into the bathroom. He writes about one man’s pride in being able to sit on the same lavatory seat vacated by a member of the royal family, and then reports another who fishes a royal elimination from the toilet, which he proudly displays in a specimen jar in his home. Yech!
Perhaps Brown’s Ninety-Nine Glimpses is intended to be an indictment of the British monarchy and its pernicious class system. If so, he’s written a masterpiece, especially for those disinclined to crack a knee and curtsy to the crown. He is highly skilled at dissecting the cruel crevices of class in the U.K.
For instance, before you become too impressed by the distinguished photographs of Lord Snowdon, the princess’ former husband, Brown cautions: “The social status of a photographer [is] roughly on a par with that of a tailor — above a hairdresser, but below a governess.”
What Brown has accomplished with his book is a new form of biography — a hybrid of sorts. His “glimpses” are the literary version of mating a donkey to a horse and getting a mule: nothing short of jackass brilliance. He dodges the drudgery of cradle-to-grave chronology, avoids time-consuming interviews, and disregards all documentation, including chapter notes.
Instead, he scours the public record — books, newspapers, magazines — skims the froth off the top, and tra-la-las to publication with a colorful collage of cut-and-paste bits from previously published sources. No index, no bibliography, and, not to put too fine a point on it, no need.
With the princess safely departed (she died in 2002), Brown does not have to contend with the draconian laws of his country, where an insult can be libelous and, if litigated, the loser pays all — judgment, plus lawyers’ fees for both sides.
As sad as Margaret’s wastrel life was her lonely death at the age of 71. After a series of strokes, she boarded herself up in her residence at Kensington Palace, spent most of her time in bed, and refused to see anyone, especially men. “I look so awful now. I don’t want them to remember me like this.”
On the morning HRH Princess Margaret, Countess of Snowdon, died, the queen’s office consulted the prime minister’s office and, with bone-chilling cynicism, discussed “the appropriate level of grief and how to stage manage it.” Between them, they kept tributes to a minimum.
Years later, Margaret’s two children staged a two-day auction at Christie’s to sell her worldly goods. Among her royal possessions was a tiny porcelain box inscribed with the words: “May the King Live to Reward the Subject Who Would Die for Him.”
Crossposted with Washington Independent Review of Books
The Kitty Kelley Files premiered on REELZ tv channel on July 29, 2017. Subjects covered in weekly episodes airing at 10 p.m. EDT on consecutive Saturdays are Drew Barrymore, Frank Sinatra, Julia Roberts, George Clooney and Princess Diana.
An introduction to the series by Kitty Kelley is posted on YouTube here.
See Kitty Kelley’s “Gore Vidal’s Final Feud” in the November 2015 Washingtonian magazine for an account of the consternation caused by Vidal’s final disposition of his wealth and property: “Given his penchant for dissent Vidal–who died in 2012–would be smacking his lips to know that, between his death and this fall, there has been a bitter fight over his will pitting distant relatives against one another.”
Update 11/9/15: The article has been posted at the Washingtonian website here.
Photo: Gore Vidal with Burr Steers, son of Vidal’s half-sister Nina Auchincloss Straight.
Kitty Kelley appeared on C-Span2’s Book-TV “In Depth” program on Sunday, Nov. 3, 2013, answering questions from host Peter Slen and from viewers for three hours. The show may be viewed online here.
The Royals, by Kitty Kelley, updated and reissued for the first time in trade paperback, available in bookstores October 29, 2010.
Grand Central Publishing
Also available as an ebook.
#1 New York Times bestseller
Reviews of The Royals: KittyKelleyWriter.com/blog/reviews